Friday, February 1, 2008

Listening Post: Last Decade, Dead Century Edition


Whenever I want to bore the hell out of my wife while at the same time reminding her and myself of the somewhat disconcerting age disparity between the two of us, I bring up one thing.

1992.

Despite technically coming of age in the 80s, I consider the decade that followed it to be the the most noteworthy period of personal growth and adventure when my entire time on this planet is taken into account. Maybe it was the fact that in spite of working hard in television and moving around quite a bit because of it, I wasn't forced to actually "grow up," my seemingly professional career belying the fact that, at heart, I fit the label that had been so casually attached to my entire generation: I was a surly and disinterested slacker. I've always joked that when it comes to that all-important level-of-maturity, I'm now and have always been about ten years behind where I should be. If you dealt with me at 27, you may as well have been talking to a 17 year old; sure I had a good life and a great job, but I was basically a fucking kid. (Keep in mind, I'm a 38 year old guy whose prized possession at the moment is his XBOX 360, much to his wife's dismay.)

It could very well be because it's the era for which I hold so much nostalgia, but I consider the early to mid-90s to be the period which spawned the best music of the last three-and-a-half decades. Although a lot of great bands and great movements came out of the 80s, for the most part popular music -- even the music that's become popular in hindsight -- wasn't anything spectacular and in reality hasn't stood the test of time. The early 90s on the other hand were my generation's version of the 60s only, dare I say, better in some ways. While we had nothing to protest (as The Replacements once famously said, "You got no war to name us"), musically and culturally at least, we saw an exhilarating, first-of-its-kind clash of styles, sounds and aesthetics.

And it all came together -- marking a strangely simultaneous beginning, end and crescendo -- in 1992.

Put simply, '92 was the single best year for music in my lifetime.

I'll prove it to you.

These are some of the albums that were either released or broke wide open in 1992:



Beastie Boys -- Check Your Head

Pearl Jam -- Ten

Cypress Hill -- Cypress Hill

Soundgarden -- Badmotorfinger

Red Hot Chili Peppers -- Blood Sugar Sex Magick



Nirvana -- Nevermind

Faith No More -- Angel Dust

Rage Against the Machine -- Rage Against the Machine

The Lemonheads -- It's a Shame About Ray

White Zombie -- La Sexorcisto



Ice Cube -- The Predator

Ministry -- Psalm 69

Living Colour -- Time's Up

Tool -- Opiate



Singles -- Original Soundtrack

Alice in Chains -- Sap, Dirt

Pantera -- A Vulgar Display of Power

Dr. Dre -- The Chronic



A Tribe Called Quest -- The Low End Theory

U2 -- Achtung Baby

My Bloody Valentine -- Loveless

Death -- Human



REM -- Automatic for the People

Mudhoney -- Piece of Cake

Jesus Jones -- Doubt

Pixies -- Trompe le Monde

House of Pain -- House of Pain (Fine Malt Lyrics)



Nine Inch Nails -- Broken

Seal -- Seal

Ice T -- O.G. (Original Gangster)

Fugazi -- Steady Diet of Nothing



Smashing Pumpkins -- Gish

Stone Temple Pilots -- Core

Sepultura -- Arise

Toad the Wet Sprocket -- Fear



Matthew Sweet -- Girlfriend

Del tha Funkee Homosapien -- I Wish my Brother George was Here

Hole -- Pretty on the Inside

Guns N' Roses -- Use Your Illusion I & II



Disposable Heroes of Hiphoprisy -- Television (The Drug of the Nation)

In the few years that followed, dozens and dozens of spectacular albums were released. For some reason though, '92 stands as the watershed year in which so many genres -- many emerging for the first time -- saw the release of exceptional, transcendent material.

I haven't seen, or heard, anything like it since.

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