Showing posts with label my chemical romance. Show all posts
Showing posts with label my chemical romance. Show all posts

Monday, April 1, 2013

This Magic Affair


I posted this yesterday as a Sunday afternoon piece but I may as well link it here. The new Daily Banter column from yours truly details my fanboy love for My Chemical Romance, and spells out why I'm going to miss them.

Here's the opening shot:

"I’m way past the point in my life where the break-up of any band should provoke much of a reaction from me. I’ve got day-to-day concerns right now that are a hell of a lot more pressing than whether a bunch of people whose music I happen to like will continue making music that I happen to like. And yet My Chemical Romance were never just another band for me. Maybe it’s fitting that I feel the way I do about their recent break-up given that I was always willing to admit to one of my favorite things about them as a band: they made me feel like a kid again."

Read the Rest Here

Monday, March 25, 2013

Listening Post



A month or so ago I heard rumors through a friend of mine close to the action that My Chemical Romance was basically about to fold. I kind of hoped it wasn't true, but given that Gerard Way's ego was in control of the band and had been for some time, it didn't seem unfeasible. Well, over the weekend MCR announced that they were calling it a day, which is a real shame.

Anybody who's followed this site for the past several years knows that this band has been one of my favorites and The Black Parade in particular is an album I listen to from start-to-finish over and over again to this day. Sucks that they're splitting, but knowing Gerard and his need for attention -- a need I think he's going to be shocked to find won't be satisfied any other way than with My Chemical Romance -- there's always the possibility this break-up will be short-lived.

Anyway, once more for the memories -- here's Dead.

Wednesday, February 6, 2013

Listening Post



The last of five separate two-song releases from My Chemical Romance's previously unreleased 4th album debuted yesterday.

From that, here's Surrender the Night.

Glad the band gave us a chance to hear this stuff -- while I didn't dislike Danger Days, the material on Conventional Weapons makes me a lot more excited for the band's potential moving forward.

Thursday, January 10, 2013

Listening Post



The latest two-song release from My Chemical Romance's previously unreleased fourth album hit iTunes this week and I'm once again left wondering why they didn't just go with this Brendan O'Brien-produced record in the first place since it's proven itself to be much better overall than Danger Days.

Granted, it's brilliant that they have an entire separate album to push in between recording sessions this way, but still.

Anyway, above is a track that sounds like what was promised by Gerard Way during interviews leading up to the scrapped record -- namely that it was going to sound like the Stooges.

Below, meanwhile, is a song from last month's release that's so good it really makes you wonder what Gerard was thinking by not immediately releasing it. Especially considering the fact that it was written for his young daughter (hence, my immediate love of it).

It's Make Room!!!! and The Light Behind Your Eyes.




Friday, December 7, 2012

Listening Post


Two nights ago, a mysterious tweet appeared from Gerard Way of My Chemical Romance. Attached was a song from a band called DannytheStreet -- the name swiped from a Grant Morrison comic -- which featured Gerard on vocals.

Is it a one-off thing? A new side project? Nobody knows.

The song's pretty damn cool, though.

Here's Zero Zero.

Tuesday, November 27, 2012

Listening Post



My Chemical Romance continues to release their formerly unreleased, Brendan O'Brien-produced 4th album two songs at a time. Here's the second "single" from Conventional Weapons.

This is Ambulance.

Tuesday, October 30, 2012

Listening Post



I'd call this single new, however it's really anything but.

By now, the recording of what was supposed to be My Chemical Romance's fourth record is the stuff of minor rock and roll legend. Following The Black Parade, the band went into the studio with Brendan O'Brien to begin recording what they'd humbly dubbed their "best album yet." They put the entire thing together, then frontman Gerard Way had one of his legendary epiphanies and decided to scrap the whole thing and go back into the studio with a different producer. The result was the band's last album, Danger Days, which had moments of brilliance but was overall a bit of a let-down.

Well, now they've decided to release that previously unreleased "scrapped album" a little at a time. The first two songs from what will eventually be called Conventional Weapons hit iTunes today.

Here's the lead-off track -- Boy Division

Wednesday, August 29, 2012

Listening Post



As of right now this video has only 301 views. By this time tomorrow it'll likely have a million.

Here's the brand new video for the brand new single from Deadmau5, which features him and My Chemical Romance's Gerard Way facing off in a robot cage match in what's being called the most expensive dance music video ever made.

It's the premiere of Professional Griefers.

Monday, July 2, 2012

Listening Post



A damn cool cover for the BBC Radio 1 Live Lounge -- here's My Chemical Romance doing Pulp's Common People.

Happy holiday week, kids.

Thursday, March 24, 2011

Listening Post: Bonus Edition



This is worth five minutes of your time today: Gerard Way of My Chemical Romance joining Duran Duran on stage last night in L.A. as part of a concert directed by David Lynch.

This is Planet Earth.

Tuesday, March 22, 2011

Listening Post



Despite my love for My Chemical Romance, when I first heard this song I wasn't a huge fan; I felt like the guys should've paid out royalties to the Black Eyed Peas and Powerman 5000 for most of the riffs from it. But as time has gone on it's really grown on me. I'm still not sure it's a great My Chemical Romance song -- but it's a pretty damn good song.

Here's the brand new video for Planetary (Go!).

Monday, November 22, 2010

Wednesday, October 20, 2010

Listening Post: Bonus "Look Alive, Sunshine" Edition



You knew this was coming eventually.

The brand new full-length video for My Chemical Romance's Na Na Na.

Tuesday, October 12, 2010

Listening Post: Bonus Fanboy-Killjoy Edition


Get used to it, folks. It's only gonna get worse as November 22nd approaches.

Brand new My Chemical Romance.

This is The Only Hope for Me Is You.

Saturday, September 25, 2010

Listening Post


Sorry, kiddies, but you're gonna have to get used to my fanboy excitement building right up until November 22nd -- excitement which I'll, of course, be passing along to you, whether you like it or not.

Here it is, the full version of the first single from My Chemical Romance's new album, Danger Days: The True Lives of the Fabulous Killjoys -- and it's more of a fucking full-throttle blast than I even imagined it could be. This is Na Na Na.

Sunday, September 19, 2010

True Romance



At this point, you're all aware of my teenage fanboy love for My Chemical Romance. Sure, it's a little goofy and most definitely not age-appropriate, but we like what we like.

With that in mind, your humble narrator is a very happy man right about now.

Wednesday, February 24, 2010

Children of the Scorn


Following up on MTV CEO Van Toffler's broadstroke declaration that the Millennials are an uncynical, family-oriented, civic-minded bunch (which I'll assume wasn't said while trying to choke back laughter): I've done more than my fair share of generational generalizing around here, having picked on both tween culture and, of course, the Baby Boomers on more than one occasion. What's interesting, though, is that every time I beat up on either of those groups -- and let's face it, making fun of the tweens is entertaining and the Boomers, easy and these days somewhat justified -- I wait for someone to rub in my face a piece I wrote way back in April of 2007. One that took a much more measured approach to generation-bashing. (I freely admit that my level of magnanimity on a given subject can sometimes depend on the mood I'm in when I wake up in the morning.) This will be the first time this sucker's been on the main page in quite some time.

"The Kids Are Alright" (Originally Published, 4.2.07)

"They say all teenagers scare the living shit out of me. They could care less as long as someone'll bleed. So darken your clothes and strike a violent pose -- maybe they'll leave you alone, but not me."

-- My Chemical Romance


I speak from experience when I say that the only thing the modern media loves more than scaring the crap out of Americans for no good reason is making sweeping generalizations about just who they are. It's a given that most news outlets have never met a poll they didn't like -- particularly during an election season, when the grotesque and demeaning practice of reducing the choice between political leaders to a series of cliched sports metaphors becomes the order of the day. At the very least, though, this ritual form of vox populi only attempts to reveal a few select opinions as opposed to acting as some sort of blanket Rorschach whose aim is to diagnose the social anthropology of an entire generation.

In that regard, no generation has been as poked, prodded, probed and -- consequently and confidently -- pigeonholed, as our kids.

I'm of course not refering to one particular wave of American offspring as much as the ever-popular generic and perpetually recyclable notion of "kids these days." Adults have always concerned themselves, occasionally to the point of apoplexy, with the thought processes of those mysterious and often infuriating creatures bringing up the rear. The difference in the latter half of the 20th century and early days of the 21st is that those same adults have an unprecedented global coalescence thanks to the technological advances in mass communcation. Unfortunately, they also have a hell of a lot of people with access to this mass communication who are more than happy to play armchair sociologist, drawing conclusions from isolated incidents involving children then casting them as fact and ramming the whole package down the collective throat of the general public. Needless to say, their adjudications rarely serve as good news from the front for anxious grown-ups. (Remember, what's the one thing that's more beloved than sweeping generalizations?)

All of this is why over the past twenty years or so, you've been able to count on both hands and feet the number of news cycles that have included one alarming pronouncement or another about the state of America's kids: the way they think, behave, dress, fuck, arm themselves with automatic weapons, etc.

I've mentioned before that there's serious money in fear-mongering, and nothing strikes visceral terror into the hearts of your average 35-54-year-old consumers like the notion that someone else's incorrigible rugrats will kill them at an ATM or kill their own drunk, pregnant and meth-addicted spawn at school (provided the latter don't fire first). The only possible exception might be the nagging suspicion that said-same ungrateful spawn will eventually dump them in a third-rate rest home and forget about them until the probate hearing.

About a month ago, my wife and I did something which even at the time seemed utterly ridiculous given our respective ages: We hopped the Long Island Railroad and traveled all the way out to the Nassau Coliseum to see My Chemical Romance. We figured going into it that we were likely to be the oldest people at the show not either part of the road crew or providing supervision for a couple of fifteen-year-olds dressed in every possible shade of black. I'm proud to say that at the very least neither myself nor my wife made any attempt to look like we were a part of the band's youthful core audience, but this admittedly caused us to stick out like -- well -- like two adults at a My Chemical Romance concert. Right off the bat, the guy at the door sized us up and used the Jedi Mind Trick to suggest a different course of action than the one dictated by our tickets.

"Hmm, floor seats," he said, intimating no small amount of concern for our well-being. "You don't wanna sit there. You wanna be away from all that shit and be someplace you can see."

Whatever his reasoning, he was right -- we did in fact want to be away from all that shit and be someplace we could see, so we followed his instructions and met an usher who escorted us to an area of elevated seats right next to the stage. Whether it served as the designated "Unaccompanied Adults" section I have no idea, but if so, it would've confirmed our initial theory about the width of the generation gap on this particular evening, given that we had the area all to ourselves for the length of the show. I remember thinking at the time that the benefits of this were substantial: It would keep us safely out of the path of the arterial spray should any of the goth kids become so overwhelmed by the presence of the Way brothers that he or she decided to end it all right there, and it would save my wife and I the shame of knowing that the final sight that same poor kid took to the grave was of the two drunk old people dancing and singing along to the songs a couple of seats over.

During my lenghty stay on this earth, I've been lucky enough to see Oasis at the Viper Room in L.A., Nine Inch Nails at 1235 on Miami Beach, Jeff Buckley at a bar no larger than my living room and the Afghan Whigs at the Palace. I've gotten the crap kicked out of me at Black Flag and had Siouxsie Sioux wrap a feather boa around my neck and sing Slowdive inches from my face. I've cried during Jimmy Scott's set at Birdland; I've had Mike Patton of Faith No More steal my Lakers cap. While My Chemical Romance at the Nassau Coliseum couldn't really compare to any of these experiences, it was, for the most part, a damn good show and my wife and I left the place glad that we had made the trip.

On the train ride home, we sat not far from a couple of young girls who had managed to perfectly capture the emo aesthetic and were now milking it for all it was worth. Whether by design or necessity, their look seemed more homegrown (as if Mom had driven them to the local Goodwill) than mass-market (as if Hot Topic had vomited all over them). I sat quietly and listened to them talk about the show: which songs they loved, their favorite members of the band, whether the b-sides were better than the stuff on the actual record etc. Despite the black clothes, the ripped leggings, the faces that looked like The Crow had dragged Eric Draven back from the dead one more time simply to give them make-up tips, they were essentially just normal kids. In fact, there was something sweetly charming -- hopeful even -- in the fact that their giddy smiles belied all that gloomy camouflage.

They were just kids.

Or maybe not.

As it turned out, I was wrong in my assessment of the benign nature of my young traveling companions. Their youthful exuberance and facade of naivete was, in fact, nothing more than a clever ruse designed to trick the unsuspecting into showering them with attention -- and as far as those girls were concerned, no one deserved it more than them because no one was more important than them.

Selfish bitches.

I was informed of the folly of my snap-judgment -- the true nature of not just those two kids, but all "kids these days" -- less than a week after the MCR show; it came via every single television network and newspaper in the United States, all of which trumpeted the "startling findings" of a recently-released study authored by a lone associate professor at that most prestigious of our nation's academic institutions, San Diego State University.

The hysterically caricaturish title of the report: "Egos Inflating Over Time"

It's incontrovertible declaration: America has raised a nation of young narcissists.

The study points to modern teen outlets like MySpace and YouTube -- tools which by the very nature of the personal pronouns in their names cast the user as a demigod -- as Exhibits A & B ad infinitum in the canonization of the individual adolescent. It claims that today's teens are self-absorbed, self-obsessed, self-congratulatory and just plain selfish. No, they're not going to take care of you when you're old because they're going to be too busy thinking only of themselves. No, they won't give a damn about making the world around them a better place because as far as they're concerned they are the fucking world!

Worth mentioning at this point is that the aforementioned SDSU associate professor behind the report, Dr. Jean Twenge, is also the author of last year's tailor-made-to-garner-a-guest-slot-on-The Today Show book, Generation Me: Why Today's Young Americans are More Confident, Assertive, Entitled -- and More Miserable than Ever Before. (I swear, some day I'm going to write a book called "Alarmist Assertion: How the Clarification Always Comes After the Colon" -- or maybe just "Exclamation!: Noun Clause.") The cover of Dr. Twenge's dissertation features a photo of an attractive, anonymous female mid-riff sporting the ubiquitous navel ring -- the name of the book emblazoned across those bronzed abs in the form of a tribal tattoo. Subtle it's not.

It should surprise no one that within twenty-four-hours of the initial release of Dr. Twenge's study on February 27th, television news correspondents across the country were fanning out in an epic quest to find the most generic student-union to stand in front of with furrowed brows and parrot the ominous findings. The truly inspired ones even took it upon themselves to seek out as racially and ethnically-diverse a group of American teenagers as possible, then delve into the negative aspects of the kids' supposed self-absorption by pointing a television camera at them and asking their opinions for twenty-minutes.

The end result was that a questionable and otherwise trifling piece of pop-psychology instead became a nationally-circulated indictment not only of an entire generation, but of the generation that raised it -- the one that the study more-than-peripherally implied has enabled such a sickening sense of entitlement by spoiling its children rotten. This latter insinuation is humorous for two reasons: (A) because the older generation in question happens to be the tail end of America's beloved Baby Boomers -- a group which has itself been accused of squandering an unprecedented spirit of revolution and social-consciousness in favor of vanity and excess, and (B) because if you believe (A) to be true, then it stands to reason that any attention lavished on the Boomers' offspring was nothing more than a solipsistic endeavor in the first place.

Once again, though, broad strokes tend to miss integral details.

When I was around twenty-three, there was a seemingly ceaseless flow of unmitigated crap being written about how people my age -- those rounded up and summarily tagged with the absurd "Generation X" label -- were going to lead to the eventual subversion of the American way of life followed by the inevitable rise to power of the Antichrist. We were slackers; we were too cool for our own good; we valued irony over sincerity; we listened to the Replacements. In response, a lot of us got high and questioned why our parents arrogantly believed their childhood to be so fucking spectacular that they insisted on foisting it upon the rest of us via reruns of the Brady Bunch and a somewhat disturbing fascination with an aging David Cassidy -- then we ordered a pizza and watched Clerks again.

Over time, though, fresh news cycles brought fresh assumptions as to who we were and what we were about ("Gen-X Grows Up," "Gen-X Overachieves," "Gen-X Underachieves," "Gen-X Still Gets High and Watches Clerks," etc.); none of them were correct.

The reason of course is because we were never a "we."

No one's saying that a vast number of people aren't likely to be affected in similar ways by the generalities of their collective place in history, but when you do them the service of looking a little closer, you usually find that what they really have in common is that each is unique -- more the product of his or her specific environment than anything else. Among those with whom I shared a childhood, an adolescence and an early-adulthood, there were the narcissistic and the benevolent, the arrogant and the humble, the noble and the unscrupulous, the saintly and the depraved, the industrious and the apathetic, the needy and the independent. Our parents feared for our well-being -- afraid that the evolving caprices of a new and dangerous world would swallow us whole, or at the very least corrupt us irredeemably.

It was the same fear that their parents once had for their well-being.

Last week, two stories made the rounds which caught my attention. One concerned a group of Connecticut high school students who were taking on their principal after he suppressed the performance of a school play dealing with the war in Iraq; the other profiled the rising popularity of so-called "Purity Balls," in which young girls pledge a vow of chastity to their fathers during an elaborate, if not somewhat creepy, ceremony. Whatever you think of the young people involved in these seemingly antithetical endeavors, it would be difficult to argue ego as the primary motivation behind either.

If nothing else, this should provide hope for the future -- by providing proof that this generation, like those that came before it and those that will rise in its wake, defies easy categorization.

That's because "kids these days" are, at their core, no different than kids any other days.

(PostScript, 2.24.10: While I really do believe that every generation is made up of disparate elements, there's absolutely no denying that there are certain cultural touchstones which are unique to a specific generation and around which the members of that group coalesce. The internet, cell phones, social networking, YouTube, iTunes and -- really fucking unfortunately -- reality TV no doubt have had a massive impact on the way the Millennnials as a genus think and how they function in the world. I've joked recently that, ironically, I wouldn't want my daughter watching MTV no matter how much its CEO is lying his ass off to make himself and others believe he's performing a community service by airing noxious crap like Jersey Shore. But that being said, the rise of new media has created a period in history unlike any other, and it's impossible to underestimate its impact on the generation at the epicenter of it. The digitization of information on the internet, which has basically brought together all human knowledge into one place, has created the feeling that there's no past anymore. There's simply a "permanent now." I was talking to a friend of mine about this the other day -- asking him to think about the fact that when we were teenagers, the 1950s were thirty years behind us, nearly the same distance that our teenage years are from now. Yet the 50s felt thoroughly alien to any kid growing up in the 80s; they may as well have been a millennium ago. That's not the case anymore. 80s and 90s culture is now a click away for anyone coming of age in the 21st century. In other words, more than ever, we're one generation. Now please kill me before I write another line that sounds like a Pepsi commercial. Oh, the photograph above, by the way, was taken by Andrew Steiner. You can see the rest of his portfolio here.)

Friday, December 25, 2009

Listening Post: The 20 Best Singles of 2009 (10 & 9)


10. My Chemical Romance -- Desolation Row

Laugh all you want. I know I did the first time I heard that My Chemical Romance would be covering Bob Dylan's nearly twelve minute surrealist folk epic Desolation Row for the Watchmen soundtrack. Admittedly, MCR was just coming off the success of their wildly ambitious -- and shockingly good -- homage to Queen and the Beatles, The Black Parade, but news of this cover made me think they'd started believing their own hype a little too much and had seriously lost their fucking minds. And then I heard it. I'll never doubt this band again. What My Chemical Romance did was strip the song down to just under three minutes, speed it up so that it barreled along with monstrous punk ferocity and cranked the amps to 11. The result was, honest-to-God, one of the coolest covers not just of the year but maybe ever. It was fast, it was furious, and it heralded the arrival of My Chemical Romance: kick-ass rock and roll band.




9. The Dead Weather -- Treat Me Like Your Mother

At this point, Jack White's inescapable ubiquity inspires either respect or flat-out loathe. He'd already spent a few years playing with and producing for anyone and everyone and had fronted two separate bands -- the White Stripes and the Raconteurs -- before putting together the alterna-supergroup The Dead Weather with Kills singer Alison Mosshart earlier this year. But while White's vanity by now kind of feels like the stuff of legend, it's tough to argue with the result of the Dead Weather project: The band's debut album, Horehound, is spectacular. White's Zeppelin-like riffs crunching atop Mosshart's cigarette-and-whiskey soaked voice made for the kind of rock you don't hear much anymore: sexy and sultry, lean and mean. But while there was a lot of blues-inspired slink on Horehound, it was the balls-out fuzzbox fury of the album's second single, Treat Me Like Your Mother, that showed what the band was really capable of. The song was a relentless assault on your eardrums, in the best possible way -- and the video for it was easily the very best released this year.



Monday: 8 & 7

The 20 Best Singles of 2009: 11. Little Boots -- New In Town; 12. Miike Snow -- Silvia

The 20 Best Singles of 2009: 13. The Sounds -- No One Sleeps When I'm Awake; 14. Blue October -- Dirt Room

The 20 Best Singles of 2009: 15. Jay-Z (w/Alicia Keys) -- Empire State of Mind; 16. Company of Thieves -- Oscar Wilde

The 20 Best Singles of 2009: 17. Yeah Yeah Yeahs -- Heads Will Roll; 18. Doves -- Jetstream

The 20 Best Singles of 2009: 19. Mos Def -- Quiet Dog; 20. Florence + the Machine -- Kiss With a Fist

Wednesday, September 2, 2009

Listening Post


I posted this video once before, but man am I feeling it after yesterday's piece on Woodstock and the Boomers (and the reaction I got to it, some of which I'll be publishing in a little while). Here's a Dylan classic from the 60s totally turned on its end, shot full of steroids and cranked to 11, creating an inter-generational mash-up that's very quickly become one of my all-time favorite covers.

Love, love, love this song.

It's My Chemical Romance doing Desolation Row.

Trust me, listen to this song while reading the stuff I'm gonna post in about an hour. The choice of music will make perfect sense.