Friday, September 18, 2009

Quote of the Week


"I've seen you do some pretty shitty things but you just keep amazing me with your tactless asshole ways. It's absolutely fascinating how much I don't like you."

-- Kelly Clarkson in an open letter to Kanye West on her blog

This is just one of the reasons I love Kelly Clarkson to death. Love, love, love her.

Listening Post



Jonathan Glazer is the visionary director of music videos like Jamiroquai's Virtual Insanity and UNKLE's Rabbit in Your Headlights. The Dead Weather is, among others, Jack White and Alison Mosshart.

Together, they've created one of the coolest fucking song/video combinations pretty much ever.

Here's Treat Me Like Your Mother (and if this doesn't get your blood pumping on a Friday morning, nothing will).

Thursday, September 17, 2009

...Fear Itself


Remember back in April of this year, when the Department of Homeland Security issued a reported warning of a rise in dangerous right-wing extremism. Now remember the response to that report from the right -- the shock, the outrage, the general apoplexy, the demands for an immediate apology? Okay -- now remember not long after, when right-wing psychopaths began, you know, gunning people down in places like Pittsburgh and the Holocaust Museum in Washington, DC (to say nothing of the church shooting in Tennessee last year)?

Yeah, that stuff.

Well take a look at this:

The Washington Post: Republicans Denounce Pelosi for Warning Against Right-Wing "Incitement"/9.17.09

Okay, now read one of the first comments posted in response to the story:

"Ms. Pelosi:

Shut up...

You started this... you and your buddies Obama, Harry Reid, Barney Frank and the rest of the Democrats.

You Democrats launched an all-out assault on Middle Class America. You are trying your best to destroy the middle class and make us all poor so we need to rely on you and your henchmen...

Don't think so? Community Re-investment Act... ACORN... Socialized Health Care... A Stimulus Package that pays off your Union Buddies and Community Activist Organizations.

When we protest, you call us Nazi's, Brown Shirts, Un-American and Evil-Mongers.

Finally, your doddering old fool of an EX-President, Mr. Carter, acuses us of being Rascists...

Yes, Ms. Pelosi... YOU started it... now we are going to finish it..."


It's damn scary out there, kids.

(Thanks to Alert Reader Riles for the tip.)

Nutcrackers


Let's just address something and get it out of the way. The ACORN story, while worth reporting, isn't anywhere near the "bombshell" Fox News is portraying it to be. Not even close. And there certainly isn't some nefarious far-reaching plot to cover it up by America's reputable news organizations.

First, on the "controversy" itself: It's largely overblown; the latest in a seemingly neverending cavalcade of right-wing conspiracy theories created and perpetuated in the hope of making some legitimate scandal stick to Barack Obama and the supposed liberal agenda in general. Yes, a few people in a very large group were charged with voter fraud during the 2008 campaign and were promptly fired. And absolutely, two conservative activists -- kids now being unsurprisingly hailed as folk heroes on the right -- posed as a pimp and prostitute and proved on tape that they could game the system by getting a few dumb-ass ACORN employees to suggest they hide their illicit income from the federal government. Is this illegal? Sure is. But even if you understand and accept that fact, what is this whole "scandal" really about? Supposedly, at least according to Glenn Beck and his myrmidons, it's about ACORN getting money from the government to push a so-called "liberal agenda" while ripping off the taxpayers. Well, let's see -- the "liberal agenda" part of the argument comes from the fact that ACORN exists solely to help the poor, which of course makes it evil and Un-American; the tax cheat part, meanwhile, hinges on ACORN having received $53 million in federal money since 1994. While this sounds like a small fortune, keep in mind that during the last eight years, $170 billion worth of pork projects were added to various pieces of legislation by some of the very Republican lawmakers now hypocritically feigning righteous indignation over the minimal slice of the pie ACORN's gotten. Does this make what ACORN's employees did right or mean that the organization shouldn't be held accountable for its actions? No, not at all -- but it helps to put the horseshit outrage into perspective.

Speaking of which, second, the big debate over the mainstream media's coverage of the ACORN story: I posted this earlier this morning in a comment, but it's worth getting into here. There's no doubt that one of the unfortunate truths about most news organizations is that they have a kind of group-think filter that will occasionally blind them to stories. I've seen all kinds of items slip through the cracks when a room full of journalists should've caught something (yet no one did). That's certainly at play here. But there's something else that needs to be kept in mind. Fox News has been on such a single-minded crusade to bring down Barack Obama (and anyone who argues with this really needs to have his or her head checked) that in theory it's worked against them, in the sense that other news outlets look at what Fox is doing -- what they're harping on and running into the ground -- and just figure it's more of the same from them. That it's not something any reputable organization would want to lend credibility to. I say "in theory" because the reality is that Glenn Beck's complaints about the "mainstream media" are thoroughly dishonest anyway. He doesn't really want the rest of the media going after Obama because then he loses the very personally profitable ability to point out as much to his legion of angry followers.

The problem though is as simple as the Boy Who Cried Wolf. Beck and his ilk have dragged out one insane conspiracy after another to the point where, to anyone with a brain, it's become little more than a constant drone. Nothing stands out. If Beck and Fox hit on a genuine argument, who the hell can hear it?

Cesca makes another decent point on this, one that doesn't absolve the press for neglecting the ACORN story but once again helps to put things in perspective. Fox News, for all its bitching and moaning about how the thieves and degenerates at ACORN are swindling average, ahem, employed Americans out of their voice and their hard earned cash, has been the biggest singular cheerleader for the very rich, very greedy, very white robber barons who've giddily high-fived each other while gang-banging the global economy and every single U.S. citizen -- to the tune of billions and billions of dollars -- in the process. I guess that that brand of greed is more "American" and therefore okay.

Keep something in mind: I've always believed that the press needs to keep an adversarial relationship with the White House. It's their job. But here's the thing: adversarial, yes -- but not unfairly so. George W. Bush was given more leeway and was overtly pandered to by the media more than any president in my lifetime. It was only after reality started becoming too grotesque to ignore that much of the press turned on him. In other words, Bush did something to garner his bad publicity. Fox and right-wing talk radio made a political and business decision immediately after the election of Barack Obama that they were going to represent the at-all-costs opposition. Hence, they've fomented a litany of complaints against Obama for no reason other than the fact that they fundamentally disagree with his politics. (Consider Beck ranting about "Oligarhies" and communist art, Limbaugh race-baiting under the guise of attacking "Obama's America," and crazed Birthers and Deathers marching through Washington, DC chanting about how the U.S. has "more Czars than the USSR" -- when that's true only because The USSR didn't have any fucking Czars.)

Can you understand why any news department with a reputation it values wouldn't want to be associated with that kind of lunacy in any way?

Yes, ACORN's a story. No, it's not a smoking gun -- against Obama or the media.

Quote of the Week (Honorable Mention)


"CNN is facing pressure on a number of fronts to drop Lou Dobbs from their roster of on-air talent, a move that would force millions of Americans seeking out news about the conspiracy to spread leprosy throughout America via illegal Mexican immigrants to turn instead to the guy who lives under the bridge by the old tire factory."

-- Jason Linkins at the Huffington Post

"Each the Other's World Entire"


Maybe it wouldn't have floored me as absolutely as it did if I didn't have the inescapable ghost of my young daughter haunting my home and my head. Maybe it wouldn't have left me sobbing on my couch, head in hands, completely overcome with emotion, every nerve in my body seemingly stripped raw. Maybe it would've been just another book to me -- astonishingly written, but without impact -- if my ache for my child weren't so profound.

Then again, maybe not. Because regardless of whatever tenuous allusions I may draw from it to my own current situation -- specifically, the unfaltering compulsion to never leave my child's side -- there's no getting around the obvious: Cormac McCarthy's The Road is a flat-out masterpiece.

With the upcoming release of the film adaptation -- which I now know will border on blasphemy in its attempt to give big budget style, form and clarity to a work which has none of these -- I finally decided to sit down and read the book that won the Pulitzer Prize for fiction in 2007.

And I'm glad I waited, because as I said, I'm not sure this landmark novel would've held the kind of visceral power I found in it had I not finally understood what would drive someone to want to protect his child at all costs, even in the face of absolute horror and hopelessness.

From a practical perspective, Cormac McCarthy makes me want to walk my laptop outside and ceremonially set it on fire, promising never to touch my fingers to a keyboard again. He's that good. His command of the English language, in all its delicate intricacies, is just staggering. No one other than maybe Don DeLillo, another American master, can compose an entire novel out of poetry that's at once cryptic and absolutely coherent the way McCarthy can. And make no mistake: The Road is his magnum opus. Its arc is positively Biblical. Its imagery is overwhelming. Its moral is both epic and intensely personal: that even in the face of the most epochal of human tragedies, where death and desolation are omnipresent and hope for the future is a distant memory, there is still -- as one reviewer put it so perfectly -- "the miracle of goodness."

It is, without question, the most moving book I've ever read.

At its core, The Road is the story a father's trek through the unforgiving aftermath of an unspecified apocalyptic cataclysm with his young son. That's really all that can be said about it, because I'm not sure I could properly put into words just how affecting the details of this sad journey at the literal end of the world are. Once again, McCarthy writes poetry, and he does something most authors can only dream of: Without being obtrusive, he allows readers to understand that the story is unfolding completely organically -- that what you don't quite understand you're not meant to, and there's no reason to correct what doesn't need to be corrected. The result is lovely, profound, and absolutely devastating -- possibly the most unexpected treatise on the salvational power of unconditional love from any writer in recent memory.

I've seen the trailer for the movie, which will be released next month. It may be decent, it may not -- but I can already tell what it won't be: It won't be the same story told in the book, nor will it be told in the same manner. And regardless of whether McCarthy's novel even could be properly translated to film, it seems a crime to adjust it in any way -- let alone so thoroughly.

I can't say this enough: If you haven't read The Road -- you just have to.

Listening Post



I actually posted this video once before, a couple of years back. But I was listening to this song yesterday, thinking about how it's one of my favorites in recent memory, and wanted to dig the thing up again because it's just so good.

It takes the lush and hypnotic visuals from the criminally overlooked 2005 film Stay, starring Ryan Gosling, Ewan McGregor and Naomi Watts, and fits them gorgeously to Keane's A Bad Dream -- a song about war that can easily be interpreted as a song about relationships.

See the result for yourself.