Wednesday, May 2, 2007

Imusgate III: The Wrath of Don


You know, sometimes this stuff just writes itself.

It looks like Dirty Don Imus will be having the last laugh after all. He's now suing CBS Radio for firing him over his mean but meaningless comment about the Rutgers Women's basketball team. Imus is looking for the 40 million dollars that remained on his contract -- and he'll likely get it.

The reason is because his contract, as it turns out, specifically demanded that he be both "controversial" and "irreverent" -- which of course, he was.

So in the end, what have we learned?

Well, as expected -- Imus, although washed up and thoroughly irrelevent from the get-go, was doing exactly what he was hired to do when he whipped off his innocuous little insult, thereby rendering CBS's self-righteous outrage nothing more than bullshit posturing. And, in a devilishly ironic twist, all the ridiculous efforts of Jesse Sharpton and Al Jackson basically rewarded the target of their midplaced ire with the ability to sit on his ass for the next several years and still make the fortune he would've made had he remained employed.

God bless America.

Highway Scar



As you can tell, I'm basically filling space until I can get something substantial published -- I'm thinking later tonight or tomorrow at the latest.

Until then though, enjoy this little bit of DIY perfection. It could be the trailer for Disney's Cars II: Annihilation, but regardless, it's the perfect imagery set to the perfect song creating total fucking chaos -- and it rules beyond words.

Tuesday, May 1, 2007

Just Say Nay-No



With the '08 presidential campaign already wallowing in its own grotesque after-birth, perhaps it's time to remember that there are at least a few political candidates out there worthy of your vote -- in particular, one who can draw you a picture of how he's gonna kick your ass, mail it to you ten days in advance, then right after you get it and ask, "What the hell is this?" knock on your door, promptly kick your ass and leave you still not knowing what happened to you.

Monday, April 30, 2007

Mind the Gap


Exactly one year ago, at this hour, I was lying in bed in the ICU at Cornell Medical Center here in New York City, having just undergone surgery to remove a tumor the size of a pinball from my brain.

The fact that I'm even able to type these words is nothing short of a miracle, to say nothing of the admittedly miniscule thought process necessary to pull them out of my rear-end in the first place.

Forgive me if I take this opportunity to republish the two columns I wrote a few months ago regarding the time leading up to, and immediately following, the operation.

It's a beautiful day today.

It's good to be alive.

Where Is My Mind? (Part 1) -- 10.12.06

Where Is My Mind? (Part 2) -- 12.26.06

Listening Post


The Secret Machines are one of my favorite bands -- and I couldn't even begin to tell you why. I love them for the same reason that I never get tired of reading T.S. Eliot's Prufrock or watching the last five minutes of American Beauty.

Some things really can't be put into words, so I'd simply suggest clearing the next twelve minutes of your schedule and watching the moving, surprising, daring, perplexing and absolutely astonishing videos for Alone, Jealous and Stoned and Lightning Blue Eyes, from last year's damn-near perfect record Ten Silver Drops.



Thursday, April 26, 2007

The Dance that Time Forgot


For a short time, a few years back, my wife and I lived in "The South." It's important to clarify right off the bat that the area of which I'm speaking, despite seeming to owe its designation solely to where it happens to sit on the map, is in fact not so much a location as it is a declaration. The southern portion of the United States as a whole bears little resemblance to "The South." I grew up in Miami, which is about as far south as you can go without leaving the country -- although I'd argue that once you cross the border into Miami-Dade county, for all intents and purposes, you have left the country. Still, Miami in particular and a good portion of Florida in general only serve to prove my point; neither represents The South as a corporeal entity -- a way of life, as it were. Instead, Florida seems more like The South's basement, which would explain why The South apparently keeps so many of its deranged and retarded cousins stuffed down there; it's as if the bottom dropped out and all of the truly worthless adherents to the Southern modus vivendi just tumbled down into that elongated, penis-shaped pit, to be heard from only when the crew from Cops shows up.

For a guy who had lived his entire 32 years in the coastal triumverate of Miami-New York-Los Angeles, and a girl who had grown up just outside Philadelphia, adjusting to life in The South proved to be an adventure -- one fraught with constant challenges and the occasional unfortunate pitfall. There was the positive: an excellent and affordable lifestyle, a daily pace which all-but-assured that we would remain healthy and comfortably ulcer-free for years to come, good friends, free time which allowed us the opportunity to explore, decent cultural events, some truly spectacular dining, etc.; the negative: a pace that made us feel as if we were stagnating in ultra-slow motion, the lack of a nearby large body of water, an odd feeling that we were looked upon as morally bankrupt Northeastern carpetbaggers by some of the more Stepfordesque elements, the constant and sometimes less-than-friendly reminders that as far as politics were concerned -- we were way behind enemy lines, the inability to get a decent pizza, the fact that it wasn't New York, etc.; and the, well, Southern: the ubiquitous insistence on deriving pride from a 140-year-old war which it lost and was on the wrong side of in the first place, a law forbidding the sale of alcohol on Sundays, a law enforcing the placement of anti-evolution nonsense in public school science texts, Our Lord and Savior Jesus Christ, NASCAR, Zell Miller, etc.

As somewhat of an unrepentant prick, it's entirely likely that I infuriated quite a few of the people my wife and I encountered during our stint in Dixie; this was due mostly to my propensity to argue ferociously with anyone who tried convincing me that my prejudice against certain elements of Southern culture was based on a long-since outdated model -- that things were different in the "New South."

A lot had apparently changed over the years, and I just hadn't paid attention; it wasn't all Dukes of Hazzard under the Mason-Dixon line anymore.

While I'd never cast a wide net over such a large area and everyone contained within -- both my own mother and a very dear friend of mine hail from Kentucky, a state whose motto, as proclaimed on a t-shirt, is "Electricity in Almost Every Town" -- there are simply too many instances in which the stereotypically indigenous Southern mentality has raised its ugly, toothless head as of late for the evidence to be ignored: in some places, the New South is still very much the Old South.

Case in point: last weekend, Turner County High School in Ashburn, Georgia held its first integrated prom. It's first integrated prom ever.

144 years since the Emancipation Proclamation freed the slaves; 137 years since the passage of the 15th Amendment which ostensibly guaranteed voting rights, regardless of color; 53 years since Brown v. Board of Education ended the underhanded tyranny of "separate but equal;" 50 years since the Civil Rights Act of 1957; 9 days since Don Imus was fired from his radio show for calling the Rutgers Womens' Basketball team "nappy-headed hos" -- and one Georgia high school is just now getting around to integrating its prom.

It would seem that Ashburn forgot to set the alarm clock and somehow slept through the last five decades.

Before I draw any comparisons to those fabled Pacific islands where, even today, there may be stranded 108-year-old Japanese soldiers who believe that WWII is still being fought, let me make something clear: I don't much care how Turner High School, or any other school for that matter, chooses to celebrate its prom (and that by the way is the mitigating factor school administrators cite when faced with having to defend the practice of a segregated prom -- that the students have long chosen to party separately). If the kids want something a certain way, it's not my place to say otherwise; I have far better things to do with my time than argue for the "liberation" of group which doesn't feel that it's being in any way oppressed in the first place. That said, I'm not sure that the situation that's existed in Ashburn has simply been a matter of inertia all these years -- that an object at rest has stayed at rest until the students suddenly got motivated and decided to give things a push. On the contrary, a quick glance at the reaction by some of the "towns-folk" -- and yes, I fully expect for that word to be taken with the spirit of derision in which it was offered -- to this past weekend's landmark event would seem to prove that Ashburn really is the land that time forgot, thus proving that time may be smarter than I thought.

According to Turner County School Superintendent Ray Jordan, it was indeed the students themselves who pushed to finally integrate the prom -- a bold step forward which Jordan says fills him with a sense of pride in the students. The fact that such an obvious undertaking -- given that it's now the beginning of the 21st century -- can be lauded with such fanfare tells you everything you need to know in this case: either the student body of Turner High is comprised of borderline retards who deserve acclaim for the accomplishment of mundane round-peg-in-round-hole tasks, or, more likely, the act of integration was in fact a painful one that forced the kids to break a tradition many would rather have kept intact.

Evidence in favor of this latter possibility comes courtesy of one white Turner High student, anonymous of course, who said that despite wishing them no ill-will, her mother and mother's friends would rather she not associate with "coloreds."

This is probably a good time to once again remind you to take a look at your calendar.

Unfortunately, before you assume that the flag of progress planted by the brave kids of Turner High signals the end of the Ashburn Apartheid, it's important to note that the integrated prom was a supplement to, rather than a replacement for a private, whites-only party which took place two weeks earlier. When asked about that gathering, one Turner senior dismissed accusations that it was racist, instead calling it "tradition." In other words, the white kids get not one but two parties -- one privately funded -- and also get to use the time-honored and thoroughly laughable excuse that, even if the original aim of the exclusive function was racist in every possible way, now it's simply done out of a sense of well, whatever -- and make no mistake, that's exactly what they're claiming.

It goes without saying that mixing-up the Turner High School prom, while still clutching to a separate event for white students defeats the purpose of desegregation entirely. Likewise, the belief that to forego the "traditional" white prom would be to abandon a proud heritage -- the unstated reality -- is symptomatic of an ideology that's haunted the South since Lee put pen to paper at Appomatox. It's the same faulty thought process that's been at the core of the fight to keep the Confederate emblem on state flags across the South, despite its negative connotation to just about every living human being not writing to former Judge Roy Moore to enlist his help in securing the triumphant return of Hee-Haw to network television. Laying claim to a legacy automatically assumes that the legacy is worth perpetuating. Nobody celebrates the day they found out they had herpes (although the whole "Confederate Pride" thing is, admittedly, just as stubborn and arguably twice as nasty).

Segregation in any form isn't a legacy worth preserving or honoring.

The students of Turner High School have taken a bold step forward -- into the 1960s. And while it may wind up being the necessary first of many to come, them and others like them run the risk of walking in place as long as the New South holds on to the tired heritage of the Old South.

Because in the end, tradition is nothing more than a lack of imagination.

Hilton... It's, Like, a Hotel

Apparently, someone thought it would be a good idea for Paris to begin contributing something to the Hilton family besides bad publicity and empty Vagisil tubes left all over the bathroom.

They've obviously let her come up with the new ad campaign for the hotel chain.

The new slogan (and, in the words of Dave Barry -- I swear I'm not making this up):

"Hilton.. Travel Should Take You Places."