Showing posts with label al sharpton. Show all posts
Showing posts with label al sharpton. Show all posts

Tuesday, July 10, 2012

Stage Left


Continuing the apparent theme here today, if you didn't get a chance to listen to the Bob & Chez Show After Party that I referenced in my little diatribe against John Stossel it probably won't surprise you to learn that Al Sharpton came in a close second on my list of most disliked cable news personalities. The shockingly dumb stunt his unwatchable MSNBC show pulled last night is a perfect example of why I think he has zero place on the air at a major news outlet.

He and his crew staged a "reenactment" of Mitt Romney's Hamptons fundraiser on Sunday, complete with four actors playing the Biff and Muffy Hamptons cliché to the hilt -- all tennis-wear and phony finishing school accents, like they're extras in a Whit Stillman movie -- while rattling off actual quotes from the fundraiser's hyper-wealthy attendees. It was, literally, political coverage as cheap theater -- and it never should've been allowed on the air at MSNBC.

The argument is often made from the right that MSNBC is as horrifically biased as Fox News, just from the other direction. This isn't true, simply because MSNBC ultimately has to answer to the objective-at-all-costs NBC News mothership and it maintains a modicum of independence and fairness in its regular news programming, while Fox News has a top-down political mandate that infects every single show on its air. Still, despite the fact that Sharpton's show is opinion and nothing more, this kind of stupid stunt just makes the entire network look bad, adds more fuel to the fire of its critics and proves that political punditry on cable is nothing but a circus act these days. It isn't even decent and insightful advocacy because no one with an IQ above that of a gerbil will take it the least bit seriously.

Sharpton's a buffoonish, inarticulate joke -- and he and his show should be scrapped for finally resorting to this kind of nonsense in an effort to make its point.

Although it's admittedly humorous and ironic that, in keeping with the need for liberal political correctness, the show included a black guy among the cast playing the Romney fundraiser guests. I'm betting the only black people at this thing were the ones serving the food and drinks.

Thursday, January 5, 2012

Quote of the Day


"Folks, the Republican Party has been in a mad rush to its extreme white wing, and Rick Santorum has been there waiting the whole time."

-- Al Sharpton on MSNBC

A lot of hay is already being made of this comment, with people asking whether he actually meant to say "white" or if it was simply a gaffe. And by people I mean the three households nationwide who watch Al Sharpton's show and the internet media who make money and score page views by blowing up any dumb thing anyone says on television into an earth-shattering controversy.

Did Sharpton really mean to say "white wing?" Well, on the one hand he's conditioned himself to see blatant racism everywhere he looks, so it wouldn't be a surprise if he naturally ran his views on Santorum through that prism -- nor would it be a shock if the racism center of his brain simply misfired, Tourettes-like, because it had been a while since he'd said anything racially incendiary or just plain blamed whitey for something. On the other hand, I don't get the idea that Sharpton's mind is stratified enough to be capable of dynamic repression, so I'm not sure a Freudian Slip is even possible. Chances are he just fucked up the word "right" because he's a buffoon who can't go two minutes without tripping over his own tongue.

Tuesday, August 23, 2011

Assistant Quote of the Day


"I’ve known Rev. Sharpton for over a decade and have tremendous respect for him. He has always been one of our most thoughtful and entertaining guests. I’m thrilled that he’s now reached a point in his career where he’s able to devote himself to hosting a nightly show. ‘PoliticsNation’ is going to be an incredibly strong kick-off to our evening schedule."

-- MSNBC President Phil Griffin, officially giving the unfathomably awful Al Sharpton his own show on the network

And you thought a 5.9 earthquake along the Eastern Seaboard was the only disaster to happen today that you never thought you'd see.

Wednesday, August 10, 2011

Speech Impediment


I'm not even going to bother saying, "I told you so," because I shouldn't have to; it's perfectly clear to anyone not currently Phil Griffin that allowing Al Sharpton to be the on-air host of a cable news show is a galactically freaking stupid idea. Putting aside Sharpton's considerable credibility problem as well as his lengthy history of playing the very press he's now ostensibly a part of -- always in the name of feeding his insatiable narcissism -- one fact just can't be overlooked: his broadcasting skills don't even rise to the level of rank amateur.

Case in point, this cringe-inducing, entirely predictable on-cam gaffe, which was apparently the result of the most basic of live TV hazards: a prompter drop-out.



Look, here's what it comes down to: If MSNBC is really looking to do something about the dearth of black or brown faces in prime on-air positions, it should considering going with one of the 83,000 or so black journalists currently working in America (at least a few of whom can found in the newsroom up the hall from Griffin's office). Putting Sharpton on the air looks like exactly what it is: a cheap gimmick, and nothing more. It's an insult to anyone who actually worked to get a shot at his or her own hour in the spotlight. Sharpton's a joke -- and one guaranteed to embarrass himself and the network over and over again should he be given the chance to.

Somebody in the comment section of the previous post on Melissa Harris-Perry suggested that she be a candidate for her own show on MS; that's a damn fine choice, actually. It seems ridiculous to make the conscious decision that whoever gets the six o'clock show, that person will have to be black -- and I can't say with certainty that that's what MSNBC has done -- but it's even more ridiculous to assume that any high-profile black guy will do.

For God's sake, get Sharpton out of there and give the show to somebody with actual talent.

Thursday, July 21, 2011

Turk Off


Well, as somebody who's never met a bridge he couldn't plant 600 pounds of explosives under, I'll say this for Cenk Uygur: The boy's got some industrial-sized balls on him.

Rather than even wait for a planned teleconference to explain his sudden departure from MSNBC, Uygur -- who always seems to be on a Red Bull IV drip anyway -- took to the comfortable environs of his Young Turks YouTube channel last night to basically fire a couple of impressive parting shots at his former employer. He claims that despite respectably sturdy ratings for the 6PM show during his six months or so at the reins, MSNBC president Phil Griffin made the decision to "go in a different direction" with it, basically relieving him of the show with the promise of a lower-profile on-air gig in a slot as yet to be determined. I've said before, numerous times in fact, that I don't think Uygur's a very polished broadcaster, so from that perspective I can understand why Griffin might want to relegate him to MS's basement for a little while. But of course, Uygur says that his technical skills as an on-air host weren't the primary reason the network decided to cut him loose at six.

He says it's all about his politics and his often combative defense of them.

According to Uygur, Griffin told him that "people in Washington" weren't happy with the tone of his show. Cenk of course takes that to mean that he was upsetting the merchants' carts in the temples of political power; Griffin says that by "people in Washington" he meant NBC producers who were having trouble booking guests because, presumably, nobody wanted to be shouted at for four minutes by a crazy guy who couldn't stop flailing his arms in their direction. Uygur goes on to say that at one point Griffin warned him that while he was content to rail against the establishment, MSNBC in fact is the establishment, and that that had to be kept in mind at all times. Whether this conversation really took place doesn't matter one bit because what Griffin supposedly said is a revelation about on par with finding out that the sky is blue. MSNBC, which is now part of the largest media conglomerate in the world, vertically integrated like no other, is the establishment -- well, no shit.

Whether Cenk's wounded pride was a factor in his decision to turn down MSNBC's consolation prize we'll never know for sure; obviously he's got a bit of an ego to think that he has the ability to scare the Beltway types to the point where they'd lock themselves inside their homes. But he's not lying when he says that whatever money he was being offered to stick around was almost certainly a hell of a lot more than he gets being an internet superstar. (I also couldn't help but nod knowingly at his mention of the various high-end "perks" that come with working for a corporate media behemoth; suddenly feeling like you're James Bond is nothing short of intoxicating.) So yeah, he definitely walked away from a nice paycheck and that alone could speak volumes about the purity of his motives. To hear Uygur address his online audience about the whole thing, you get the impression that at least on some level he really did feel like he had a responsibility to the people who put him in the position to be moved up to the big leagues in the first place, and he didn't want to sell them out or let them down.

Since making a conscious decision to lean to the left, MSNBC has been precariously walking a fine line between giving its progressive voices the freedom they need to be effective as hosts and understanding that that freedom will often have them saying and doing things that will make the network's corporate overlords want to drop a hundred-thousand-pound anvil on the whole place. Again, MS is the establishment -- which means that while guys like Phil Griffin want their anchors, reporters and contributors to work outside the box, they need to make sure they work inside a slightly larger box. Uygur was a bit of a loose cannon on-air, but not so much that it should have cost him his job; Ed Schultz is infinitely more bellicose as a host and astonishingly he's still firmly in place in prime-time, despite a couple of recent, entirely predictable hiccups. The difference, I think, is one of inelegance. Even Schultz's occasionally obnoxious outrage has been carefully honed to the point where it's not quite the blunt instrument wielded by Uygur. While I'm not a big fan of Schultz's, he's a better broadcaster than Uygur. The same goes for the dearly departed Keith Olbermann, who was kept on for as long as he was only because of his immense and undeniable talents as a television host. Olbermann pissed a lot of people off, from his peers to his managers to the overlords in the adminisphere; MSNBC's decision to finally cut him loose wasn't a case of Olbermann saying things management didn't want him to say as much as him infuriating everyone in his path. Griffin just decided he wasn't worth the hassle because his ratings were great but not that great.

And that's really what it comes down to. Cenk's numbers were decent, but they weren't through the roof, in MSNBC's mind not good enough warrant giving him time to develop in a hugely important spot in its line-up. That plus his deficiencies as a network broadcaster -- and that includes his tendency to appear as if he's always one step away from challenging his political adversaries to a roshambo in the parking lot -- probably sealed his fate at six. What does all of this mean for his apparent replacement, Al Sharpton, a guy whose jarring on-air pauses and inability to complete a coherent thought make Uygur look like Murrow? Name recognition and novelty factor aside, he'd better hope his ratings are damn good -- and that they stay that way.

Still, in the end did Cenk apparently stand up for what he believes in -- and what his online audience expects of him -- in the aftermath of his demotion? Sure looks that way.

And for that he gets to walk out with his head held very high.

Wednesday, July 20, 2011

Uygrrrr


Look, I've never been a huge fan of Cenk Uygur as far as his being a broadcaster -- I think I've made that pretty clear. While I do agree with some of his politics, I'm not into shouting and I am into being able to distinctively pronounce each and every syllable in a word. Nothing personal against the guy, I just didn't think he was ready for prime-time, as it were, and wanted to see him do a little more work online before somebody pulled him up to the big leagues.

That said, I don't feel strongly enough about him to cheer the fact that he just lost his plum gig at MSNBC, as de facto host of the network's 6PM hour. I'm especially not going to be doing the Snoopy dance if it turns out that MS really is pushing him out in favor of Al Sharpton, as all speculation is pointing toward.

Cenk's a little annoying. Sharpton is a shamelessly corrupt narcissist without an ounce of broadcasting talent to speak of. He's been disgraced and discredited over and over again and has no business being anywhere near an NBC studio, much less having his name on an NBC show and an NBC paycheck.

Needless to say, Uygur's apparently less-than-thrilled with being given the boot and he'll supposedly be talking about it tomorrow via a press teleconference. If Sharpton takes his place? Well, then the rest of us get to be pissed as well.

Tuesday, July 19, 2011

Host and Parasite


I'm not going to bother going through the reasons why, because they should be obvious given what I wrote last week and what I've said time and time again here -- but if this story is true, then NBC is finally just dead to me.

The Huffington Post: Al Sharpton: MSNBC's Next Host?/7.18.11

As I said, I've written quite a bit about Sharpton in the past. The following post from late 2007, though -- right around the time that Don Imus was trying to get his career back after having it torched-and-pitchforked by the Sharpton mob -- is an audience favorite.

"An Open Letter to Al Sharpton" (Originally Published, 12.4.07)

Dear Al,

It's been eating you alive, hasn't it?

You've been sitting there at home, fidgeting like a smack addict in need of a fix, desperate to satisfy the need that drives you 24/7, the one that calls out to you in the middle of the night and just won't go away until it's fed.

It's okay, Al -- I understand. It's not your fault; it's your disease.

You suffer from ADD. Attention Deficit Disorder.

Your body goes into withdrawals when you've been deprived of attention for too long.

It's a common condition these days, although you admittedly have a particularly acute case of it.

How long has it been for you, Al? How long has it been since some negligibly curious racial controversy popped into the public consciousness and provided you the perfect gaping hole in which to insert yourself? When was the last time you got the chance to blow what might otherwise have been an innocuous and easily rectifiable situation completely out of proportion, turning it into an international incident? When were you last afforded the perfect excuse to forgo honest, constructive dialogue in favor of draconian public demagoguery?

How long has it been since you've seen yourself on TV, Al?

I know, man, it hurts -- which is why Don Imus's return to the airwaves just couldn't have come at a better time.

I mean, despite it having been a legitimately contentious issue, the Jena Six thing worked out really well for you personally. It was just like the 60s what with that big march and all, with you and Jesse getting to join together to create one big cacophonous wall of righteous indignation. But Imus, well that was your magnum opus -- a masterpiece of misdirection. During that whole sickening malignancy on the logic-and-reason center of the collective American brain you really made your presence known. You were the man of the hour, on every talk show and every panel of discussion, raising all kinds of hell and organizing all sorts of unnecessary marches and protests. You were almost single-handedly responsible for the downfall of a broadcasting icon -- an admittedly irrelevent icon, as easy a target as there ever was, but an icon nonetheless.

How it must've irritated you that Imus managed to somehow pull himself out of the hole you blithely dug for him.

Except that it didn't bother you at all, and you and I both know it.

The second coming of Imus presented you with the perfect Christmas gift: a brand new chance to dredge up all kinds of absurd acrimony over an old man's stupid, offhand comment -- a comment that was so laughably feeble from the outset that it still seems incomprehensible for it to have at one point occupied so much of America's attention.

So, last night, you once again got the fix of that precious spotlight -- the one you've been so desperately craving.

You turned up on Larry King Live, as well as a few other "news" shows. You were again welcomed with open arms and your opinions and supposed conventional wisdom were again treated with respect, as if they held some sort of significance and weren't, in fact, little more than self-obsessed blather.

You were holding court, and it was good.

But here's the thing, the big secret that someone with an ego as monumental as yours is probably unwilling or unable to admit to himself: The people who invited you on that show couldn't care less what you think. What you have to say doesn't matter half as much as how you say it. You're an instigator, and that's all that the brain trusts behind Larry King and Hardball and O'Reilly and the rest of their ilk are looking for.

They want someone who makes for good TV.

They want a clown to entertain their audiences and keep them watching.

And you're it.

You never disappoint. You give them exactly what they're looking for, every single time.

While you sit in a studio howling and whining and haranguing and moralizing, trying as best you can to speak as loudly as you can into the microphone, a television producer turns giddy cartwheels in a control room, knowing that America probably won't be able to turn away.

But what's the harm, really?

Everyone's getting what they want, right? You're playing them, getting all that priceless face-time and maintaining your wholly undeserved place as an authority figure; they're playing you, using your surefire buffoonery to create the kinds of contrived controversies that translate into one giant ratings bonanza again and again.

In the end, who loses?

We do of course.

Tuesday, July 12, 2011

Al Jeering


Okay, so I'm sitting here working and I've got MSNBC on in the background. Given that it's six o'clock and therefore time for The Cenk Uygur Mush-Mouth Hour, I was ready to get up and change the channel when what I saw made me freeze in my tracks and made my jaw drop.

I think I remember hearing something about the Reverend Al Sharpton being given a fill-in gig on MS, but I figured it must've been the result of some absurdist, feverish dream I had after eating Mexican food too close to bedtime.

Al Sharpton. As an anchor on an NBC property. Al fucking Sharpton.

I've now been sitting here watching it in disbelief and I'm hoping that somebody can at least tell me that this is Sharpton's first night on-air in an official capacity, because what I'm seeing and hearing at the moment -- the incoherent shouting, the inability to complete a thought, the jarring pauses and painfully amateurish moments of dead-air -- leaves me thinking that there's simply no way in hell that the largest media organization in the world would allow an embarrassing, unmitigated disaster like this to happen twice.

This preening, pompous ass shouldn't have been given the reins of a show to begin with, but if NBC has anything approaching a specimen cup full of credibility left -- and call me crazy, I know -- it'll pull him off the air as quickly as possible. It's one thing to have made a conscious decision to lean progressive -- it's another thing entirely to try to play to that demographic's dumbest common denominator by surrendering its air to the left's most shameless, carnival-barking boob.

Tuesday, October 27, 2009

Tuesday Is Recycling Day


At this rate, ESPN's going to run out of people soon.

Hot on the heels of the decision to continue on without the services of both Steve Phillips and the psychotic little troll he inexplicably chose to put his penis in, production assistant Brooke Hundley, ESPN managers have announced that they're suspending Bob Griese for a really stupid crack made on-air over the weekend. In case you haven't heard because you have, you know, a life, the former star Miami Dolphins QB was calling a college game last Saturday when, during a promo for the network's upcoming NASCAR coverage, he joked that driver Juan Pablo Montoya wouldn't be racing because he was "out having a taco."

For the record, Montoya isn't Mexican -- he's Colombian. Which means it would've made more sense to say that he'd be out because he was "getting busted for trafficking coke and killing a federal judge and his family with a MAC-10."

By that last comment, you can probably tell where I come down on this whole thing: Really, when did we become an entire nation of hyper-sensitive, well, pussies?

Within minutes of the offhand on-air gaffe, Griese apologized -- twice. As expected, these apologies sounded sincere but couldn't be, simply by virtue of the fact that they were almost certainly the product of a stern talking-to off-camera by ESPN executive producers. The question, though, is, did Griese need to apologize at all? Was what he said really all that earth-shatteringly awful? He's a sportscaster doing locker room-style banter and it was obvious he didn't mean anything hurtful by his silly little crack. But after getting Griese to essentially grovel on national television, the suits at ESPN have decided that he still hasn't been taught enough of a lesson (which of course is merely a smokescreen; the reality is that they have to prove to a handful of potential angry protesters and a few jittery sponsors that the network takes "racist" comments seriously) and so they chose to bench him.

In a terrific bit of meta-broadcasting, radio hosts Opie and Anthony picked apart this supposed scandal yesterday on their show -- and used the opportunity to expose contrition-as-theater for what it is 99% of the time. They did it by replaying their own very serious-sounding public apology for a comedy bit that got them suspended for a month back in 2007 -- a rant by an on-air regular that targeted Condoleezza Rice, Laura Bush and the Queen of England, among others. What was fascinating about their dissection of the uproar over the Griese comment and their own brush with America's perpetually-aggrieved usual suspects was the level of refreshing honesty on display: O & A admitted flat-out that they were forced to apologize under the threat of losing their jobs; they came right out and said that they weren't, in fact, sorry and didn't mean one fucking word of what they were told to say on-air -- what was written for them by someone else.

This morning, I'm resurrecting the piece I wrote in the wake of Opie and Anthony's infamous "Homeless Charlie" bit -- but more than that, I'm pulling excerpts from several columns focusing on what's been a regular overarching subject around these parts: Our rush to be offended, our over-sensitivity to anything that flusters our delicate sensibilities, and the reaction that some among us have come to not just expect but demand in the wake of being offended.

Of course the pieces in question represent the times I talked seriously about this topic. It doesn't include all the tasteless mockery I myself have gleefully heaped in every direction.


"The Clean Air Act" (Originally Posted, 5.14.07)

One of the most unintentionally hysterical movie lines in history comes courtesy of that classic Tom Cruise vehicle Top Gun. Not only does the film stand as irrefutable proof that Cruise is not, in fact, gayer than Carson Kressley blowing himself, it also gave us this little gem of Hollywood screenwriting brilliance:

As Tom Cruise's character prepares to fly his hard, phallic F-14 within spitting distance of the skyward-jutting, phallic control tower, he's warned by his radar-man "Goose" -- played by Anthony Edwards -- that his actions are unauthorized and therefore a bad idea.

"Uh, you can't do that, Maverick," says Goose.

Right -- because if you do, they'll, uh well, change your name to something that doesn't suggest an impetuous willingness to ignore orders.

This is what I think of whenever I hear the following words come out of a news anchor's mouth or see them splashed across a front page: "Shock Jock (fill-in name) is in big trouble today for (fill-in something offensive said or done on-air)."

Obviously, this particular brand of disengenuous outrage has received plenty of attention lately thanks to the whole Don Imus fiasco; in fact, Imus himself is now fighting for the money remaining in his canceled CBS contract by asserting that his bosses indeed knew exactly what they were in for when they put him on the air in the first place.

They don't call them Shock Jocks because they have issues with static electricity.

Which brings us to Opie and Anthony.

When I made the decision to leave New York City about four years ago (this is my second tour-of-duty in Gotham) one of the features of life here that I knew I'd miss the most was the Opie & Anthony show. At that time, it was on WNEW FM and was a staple of my weekday afternoon. It was rude, offensive, juvenile -- and the funniest goddamned thing on the air. When O & A were finally banished by a torch wielding mob for staging an on-air stunt in which a couple had sex in St. Patrick's Cathedral -- which was hilarious by the way -- I figured they'd remain radioactive for at least a good five years.

Then they turned up on XM Satellite Radio, and I rejoiced; the gloves were off.

Since then, Opie & Anthony have actually managed to steer clear of any real controversy. Their show remains funny, and at times surprisingly insightful. They've even managed to get a watered-down version of it simulcasted on terrestrial radio.

But it was only a matter of time.

Now, once again, the usual suspects are screaming for the heads of O & A.

The offense this time: why, nothing less than suborning the rape of our own beloved Secretary of State, Condoleezza Rice (cue the gasps).

Basically, during their show last Thursday, a guy known as Homeless Charlie went on a minute-long rant about how he'd "love to fuck that bitch," (that would be Condi), how he also wanted to do the same to Laura Bush, and how the Queen of England shouldn't have been allowed into the U.S. because she has a horse-face and was on the losing side of the Revolutionary War to begin with.

It was admittedly only funny for its audacity in skewering such sacred authority figures; I'm always a fan of that. Needless to say, though, you could've counted the seconds before the mushroom cloud of bullshit outrage appeared on the horizon. By Thursday afternoon, the line of perpetually aggrieved stretched around the block, ready to once again grab a collective torch and demand mob justice. Al Sharpton -- who, it should be noted, was also one of the targets of Homeless Charlie's venom -- decried the remarks as ugly and hurtful, but stopped short of again demanding the outright censorship of a nationally-broadcasted radio show; the cynical might point out that in this case, while Opie & Anthony are white -- traditionally, Sharpton's favorite punching bags -- Charlie himself is black, and therefore in possession of a genetic get-out-of-jail-free card as far as Big Al is concerned.

Those who truly do spout arguably dangerous and occasionally outright false invective over the airwaves were also happy to assume the laughable position of moral authority and join in the pile-on. Vaudevillian buffoons like Glenn Beck and Neal Boortz did somersaults of logic in an attempt to have it both ways, blaming the rise of such "garbage" on the time-honored boogeyman of leftist moral-relativism while at the same time wrapping their own on-air race-baiting and fear-mongering in the comfortable cloak of the American flag -- the argument against such nonsense, all but bulletproof: Opie & Anthony do comedy, Beck and Boortz don't, at least not intentionally.

For anyone who wondered quietly if the unnecessary firing of Don Imus and the surreal pandemonium which led to it would eventually create a dangerous chilling effect across our airwaves, wonder no more; your worst fears have been realized. Those who successfully silenced a powerful voice in broadcasting -- dumb, but powerful -- have been emboldened by their victory. Now, like a kid with a new toy, the ones for whom even the slightest offense is unacceptable -- regardless of the context -- have declared themselves rulers of America's on-air sandbox.

What you find funny isn't important; if it offends someone, it simply cannot stand, for the good of everyone.

Even if you've chosen to pay for the privilege of hearing adult language and, occasionally, juvenile comedy -- as those subjected to the offending Opie & Anthony bit had -- it doesn't matter.

If someone, anyone, is offended by it, it has to go.

Within the past couple of days, CBS Radio -- in keeping with its proud tradition of willfully allowing its spine to go flaccid at even the slightest hint of pressure -- announced its decision to cancel The Dog House, with JV and Elvis. The reason: the show's hosts staged a prank phone call to a Chinese restaurant which infuriated the Asian-American community.

Jeanette Wang of the Organization of Chinese-Americans is already calling it a "victory... for all." I have a feeling that most of JV and Elvis's listeners don't feel that way.

Whether or not they, or Opie & Anthony, can genuinely be called "mavericks," I'm not quite sure. But I know that the world would be a very boring, and in this case very frightening place, if everyone followed the rules.


From "Insolent Jest" (Originally Published, 10.30.08)

By now, regular readers of this site have probably figured out that I'm not very easy to offend. Sure, ignorance and stupidity piss me off to no end, but generally the kind of thing that will cause one group of people or another to demand blood, or at the very least an immediate public apology, will barely get a reaction out of me (and if it does, that reaction will usually be to laugh my ass off not only at the offending behavior itself but at those overly sensitive enough to take it so goddamned seriously). Don't get me wrong: Despite what you read here, I don't wander through my day wondering whose buttons I can push next. I may say some pretty obnoxious things from time to time, but rarely is any of it offered with malice or the intention of riling someone up just for the fun of it. That said, I'm a very firm believer that almost anything can be a legitimate target for a little ribbing -- myself included. What makes mocking or satirizing ostensibly untouchable cultural institutions like God, the church, political figures, and even, yes, Oprah so much fun is that they are held as sacrosanct by so many -- and that makes them, in a word, oppressive. There's a visceral thrill to be had going against the grain once in a while and defying the tyranny of political correctness. But more than that, it's necessary. Unassailable ideals and social mores are dangerous, and while holding something above criticism or ridicule, no matter the context or intent, may seem like the ultimate form of respect -- in fact, it's nothing more than the product of fear or idolatry. Just ask the editors of a Danish newspaper that dared to publish comic images of the Prophet Muhammed a couple of years back.

Which brings us to Denis Leary.

...Whether or not Denis Leary hates homosexuals I can't say for sure. I do know, however, that simply using the word "fag" doesn't automatically make someone a homophobe any more than simply using the word "nigger," irrespective of context, automatically makes someone a racist. I get that it's sometimes tough to tell a person's intent simply by his or her language -- and that the knee-jerk inclination might be to make broadstroke declarations banning anything that anyone may find offensive -- but that's when it's best to consider the source. Denis Leary, once again, is a comedian. He's made an entire career out of being an asshole; he even recorded a song in the early 90s proclaiming as much. Only a moron -- or, more likely, someone looking for something to be pissed about -- would pick up a book written by Leary and expect not to have his or her magnanimity challenged. Leary's stuff isn't designed to be everyone's cup of tea, but neither is it supposed to change the world. If you really think a book called Why We Suck should be filed under the self-help section at the bookstore, you need to have your head examined. It's meant to be funny. It's a fucking joke.

From "Occupational Hazard" (Originally Published, 1.10.08)

In case you haven't heard, The Golf Channel (Motto: "You're Fucking Kidding, Right? THE GOLF CHANNEL?") announced last night that it's suspending its lead anchor, Kelly Tilghman, for two weeks. The punishment comes in the wake of an offhand comment Tilghman made on the air last Friday night while casually bantering with analyst Nick Faldo. The two were talking about how Tiger Woods must seem unbeatable to young players on the circuit; Faldo joked that nothing could stop Tiger short of up-and-coming golfers physically "ganging up on him," at which point Tilghman chuckled "lynch him in the back alley."

I have no doubt that the second Kelly Tilghman said this, she regretted it and wished she could get a Mulligan -- mostly because she in no way meant it to sound the way she realized it could be taken (and of course has been taken by at least one demagogic jackass whom I'll get to in a minute).

The management of The Golf Channel, in justifying its reprimand called Tilghman's words "hurtful and grossly inappropriate."

Except that, once again -- she didn't fucking mean anything by it. It was a thoroughly innocuous comment made sinister only by the intractably cursed connotation we've bestowed upon a single word. Not that a person's true intentions are ever allowed to be taken into account in cases like these, but how insane is it that Kelly Tilghman is now having to apologize up and down -- she's forced to publicly prostrate herself at the feet of the aggrieved few who should have no say whatsoever in this matter anyway -- all because she accidentally blurted out some supposed linguistic pariah?

Turns out Tilghman is good friends with Tiger Woods and has been for some time. She apologized to him -- and guess how he responded?

The way you'd expect someone with Tiger's grace, class and good goddamned sense to respond.

His spokesperson said this:

"Tiger has a great deal of respect for Kelly. Regardless of the choice of words used we know unequivocally that there was no ill-intent in her comments. This story is a non-issue in our eyes."

Needless to say, the fact that the only person who has a right to feel insulted by any of this doesn't feel at all insulted isn't stopping at least one other guy from voicing his substantial and ridiculous ire.

Care to guess who I'm talking about?

I won't even bother spelling it out for you. I'm just going to dispense with the decorum once and for all and issue a heartfelt plea:

Please, please, please -- would Al Sharpton just crawl into a bathtub somewhere and drag in a toaster-oven?

From "Jock Bitch: The Ongoing Saga of Don Imus" (Originally Published, 4.13.07)

I didn't find Imus's comment particularly offensive or incendiary -- though I admit to not being the target of it. I also didn't find it to be the least bit funny -- but I'm betting that some people did. Who determines that they don't have the right to find it funny -- or that I don't have the right to be indifferent to it? Who decides what's acceptable and what's unacceptable language -- which jokes are funny and which ones are without social merit?

At the moment, it would seem like the people who have cast themselves as deserving of the job are the same ones who never made amends for their own past transgressions (Hymie Town? Tawana Brawley?), who derive their power and authority from the very divisiveness they claim to decry, and who can rarely be counted on to express so much as an indignant thought when a group other than their own comes under attack by the intolerant.

This last fact should provide all the evidence needed to prove that the overall motivation of people like Sharpton and Jackson isn't justice or morality, but rather the subornation of an adherence to their own personal agenda.

If by some chance you'd like more more proof, consider this: no matter your opinion of Imus, it's an absolute fact that he spends a substantial portion of his time, both on-air and off, raising money to help children with cancer, through an initiative founded and maintained by his wife and himself. He has also, in the past, raised funds for U.S. troops overseas as well as raising awareness of the inadequacy of the V.A. hospital system. The point is that there are not only people out there who find Imus entertaining -- there are people who legitimately benefit from his presence on the air. These people have neither been consulted nor even considered by the torch-wielding mob now stationed at the gates of Imus's hilltop home -- that's because, to this particular mob, the good that Imus does for these people simply isn't as valid as the good to be achieved by removing him for making a completely insignificant comment. If you'll forgive such blatantly instigative language, they're essentially saying that the needs of kids with cancer aren't as important as the hurt feelings of a bunch of female basketball players -- that Don Imus, in fact, does more harm than good.

That's not simply unjust -- it's immoral.

From "The Nth Degree" (Originally Published, 11.21.06)

Allow me to begin by simply coming right to the point:

Nigger.

You obviously wouldn't be able to tell from where you are, but after typing that word I put my laptop aside, got up from the couch and walked to the refrigerator to pour myself a glass of iced-tea before returning to my computer a minute or so later. What's important about this isn't what happened during the short interval -- it's what didn't happen. The world didn't explode. Lives weren't lost. Hordes of people didn't pour out onto 125th street, or the corner of Florence and Normandie, or MLK boulevards all across the land to engage in weeping and gnashing of teeth at the assured knowledge that they would immediately be returned to a life of indentured servitude. The universe, as far as I know, didn't collapse in on itself, sucking reality -- or at the very least, a substantial portion of the population -- into a giant black hole of nothingness.

The reason of course is simple: Despite whatever heft, whatever power to destroy or dehumanize, that we've unwisely granted a single word -- any word -- in the end it is still just a word, and nothing more.

Except that in the most advanced and preeminent culture to ever exist upon this Earth, in the early days of the 21st century, it isn't just a word. On the contrary, the word "nigger" holds an unparalleled level of ascendancy in our society. There's no better testament to the truth of this statement than the fact that otherwise educated, intelligent people -- the type who normally would rather step on a live land mine than be taken for an idiot -- will gladly allow themselves to be reduced to spouting the vernacular of a four-year-old to avoid speaking it.

No matter the alternative's power to offend and instigate, is there anything -- anything -- more painfully ridiculous than a grown man or woman saying, "The N-word?" It's an absurd verbal tip-toe that not only proves that there is apparently no safe context in which the actual word can be uttered, but also that there exists an unspoken implication that those whom one would expect to be angered by the use of such a word are so stupid that they can't discern between the desire to dehumanize and subjugate and the need to openly discuss, and therefore should be protected from hearing the word altogether -- for the good of everyone. This latter possibility -- an indictment of an entire culture, whether out of condescension or outright fear -- is infinitely more offensive than the utterance of any one word.

From "On the Offensive" (Originally Published, 10.15.06)

By preaching the gospel of diversity -- by insisting that every person's every little hang-up be respected and that no one ever be made to feel the least bit uncomfortable -- we create a completely homogenous workplace which is actually devoid of any real diversity. True tolerance of the uniqueness of each culture and personality would allow for the occasional insensitive act or rude comment. That's not what we're after, though -- not these days. Instead, corporations are attempting to stave off ludicrous lawsuits by opportunistic employees and in doing so are catering to the culture of victimization which now holds us all hostage.

Tuesday, June 30, 2009

Picture of the Week


Shameless Joe Jackson and partner-in-pimpin' Al Sharpton at yesterday's combination press conference/sales pitch for Jackson's record company and other assorted crap, in Los Angeles.

Note the large, stuffed purple gorilla in the background.

Because when I think classy, tasteful and dignified reaction to tragedy, I think Jackson and Sharpton.

Jesus, anybody really wonder why Michael was so fucked up?

Tuesday, May 26, 2009

Tuesday Is Recycling Day


"An Open Letter to Al Sharpton" (Originally Published, 12.4.07)

Dear Al,

It's been eating you alive, hasn't it?

You've been sitting there at home, fidgeting like a smack addict in need of a fix, desperate to satisfy the need that drives you 24/7 -- the one that calls out to you in the middle of the night and just won't go away until it's fed.

It's okay, Al -- I understand. It's not your fault; it's your disease.

You suffer from ADD. Attention Deficit Disorder.

Your body goes into withdrawals when you've been deprived of attention for too long.

It's a common condition these days, although you admittedly have a particularly acute case of it.

How long has it been for you, Al? How long has it been since some negligibly curious racial controversy popped into the public consciousness and provided you the perfect gaping hole in which to insert yourself? When was the last time you got the chance to blow what might otherwise have been an innocuous and easily rectifiable situation completely out of proportion, turning it into an international incident? When were you last afforded the perfect excuse to forgo honest, constructive dialogue in favor of draconian public demagoguery?

How long has it been since you've seen yourself on TV, Al?

I know, man, it hurts -- which is why Don Imus's return to the airwaves just couldn't have come at a better time.

I mean, despite it having been a legitimately contentious issue, the Jena Six thing worked out really well for you personally: It was just like the 60s what with that big march and all -- with you and Jesse getting to join together to create one big cacophonous wall of righteous indignation. But Imus, well that was your magnum opus -- a masterpiece of misdirection. During that whole sickening malignancy on the logic-and-reason center of the collective American brain you really made your presence known. You were the man of the hour, on every talk show and every panel of discussion, raising all kinds of hell and organizing all sorts of unnecessary marches and protests. You were almost single-handedly responsible for the downfall of a broadcasting icon -- an admittedly irrelevent icon, as easy a target as there ever was, but an icon nonetheless.

How it must've irritated you that Imus managed to somehow pull himself out of the hole you blithely dug for him.

Except that it didn't bother you at all, and you and I both know it.

The second coming of Imus presented you with the perfect Christmas gift: a brand new chance to dredge up all kinds of absurd acrimony over an old man's stupid, offhand comment -- a comment that was so laughably feeble from the outset that it still seems incomprehensible for it to have at one point occupied so much of America's attention.

So, last night, you once again got the fix of that precious spotlight -- the one you've been so desperately craving.

You turned up on Larry King Live, as well as a few other "news" shows. You were again welcomed with open arms and your opinions and supposed conventional wisdom were again treated with respect -- as if they held some sort of significance and weren't, in fact, little more than self-obsessed blather.

You were holding court, and it was good.

But here's the thing -- the big secret that someone with an ego as monumental as yours is probably unwilling or unable to admit to himself: The people who invited you on that show couldn't care less what you think. What you have to say doesn't matter half as much as how you say it. You're an instigator, and that's all that the brain trusts behind Larry King and Hardball and O'Reilly and the rest of their ilk are looking for.

They want someone who makes for good TV.

They want a clown to entertain their audiences and keep them watching.

And you're it.

You never disappoint. You give them exactly what they're looking for, every single time.

While you sit in a studio howling and whining and haranguing and moralizing, trying as best you can to speak as loudly as you can into the microphone, a television producer turns giddy cartwheels in a control room, knowing that America probably won't be able to turn away.

But what's the harm really?

Everyone's getting what they want, right? You're playing them -- getting all that priceless face-time and maintaining your wholly undeserved place as an authority figure; they're playing you -- using your surefire buffoonery to create the kinds of contrived controversies that translate into one giant ratings bonanza again and again.

In the end, who loses?

We do of course.